Seyfi Teoman has only presented his sophomore directing effort this year; nonetheless, he has learned a lot about the film distribution business in the process.
The young filmmaker behind the drama “Bizim Büyük Çaresizliğimiz” (Our Grand Despair), which had its world premiere earlier this year at the Berlin film festival, says filmmakers should settle for “success either in film festivals or at the box office.”
“If your [film] has drawn 5 million viewers [in the box office], you shouldn’t set your sights on collecting all the movie awards. If your film received a certain number of awards and is honored by festivals, you shouldn’t anticipate 5 million viewers,” said Teoman, a member of the İstanbul-based independent and arthouse filmmakers collective Yeni Sinema Hareketi (New Cinema Movement), during an interview this week with the Anatolia news agency.
Teoman made a successful foray into film directing in 2008 with his drama “Tatil Kitabı” (Summer Book), which premiered at that year’s Berlin film festival. The film went on to win numerous awards both nationally and internationally as well as being featured in several international film festivals abroad.
The 33-year-old director also said in the interview with Anatolia that the reception for arthouse films was the same all around the world. “All films that have a universal content and are made with no commercial concerns … receive the same reaction throughout the world, which is low box-office returns. But there might be exceptions to this,” he said, noting that “Sonbahar” (Autumn), Özcan Alper’s directorial debut, and “İki Dil Bir Bavul” (On the Way to School), a documentary that recounts a school year in a Kurdish village in southeastern Turkey, were examples of such exceptions.
“Films that have a certain political content but that at the same time do not compromise cinematic quality have reached a certain success in the box office, because politics is important in people’s lives,” he said. “If Yeşilçam is the descendant of commercial cinema, we represent the other cinema. We are the heirs of Yılmaz Güney,” he added.
The young filmmaker behind the drama “Bizim Büyük Çaresizliğimiz” (Our Grand Despair), which had its world premiere earlier this year at the Berlin film festival, says filmmakers should settle for “success either in film festivals or at the box office.”
“If your [film] has drawn 5 million viewers [in the box office], you shouldn’t set your sights on collecting all the movie awards. If your film received a certain number of awards and is honored by festivals, you shouldn’t anticipate 5 million viewers,” said Teoman, a member of the İstanbul-based independent and arthouse filmmakers collective Yeni Sinema Hareketi (New Cinema Movement), during an interview this week with the Anatolia news agency.
Teoman made a successful foray into film directing in 2008 with his drama “Tatil Kitabı” (Summer Book), which premiered at that year’s Berlin film festival. The film went on to win numerous awards both nationally and internationally as well as being featured in several international film festivals abroad.
The 33-year-old director also said in the interview with Anatolia that the reception for arthouse films was the same all around the world. “All films that have a universal content and are made with no commercial concerns … receive the same reaction throughout the world, which is low box-office returns. But there might be exceptions to this,” he said, noting that “Sonbahar” (Autumn), Özcan Alper’s directorial debut, and “İki Dil Bir Bavul” (On the Way to School), a documentary that recounts a school year in a Kurdish village in southeastern Turkey, were examples of such exceptions.
“Films that have a certain political content but that at the same time do not compromise cinematic quality have reached a certain success in the box office, because politics is important in people’s lives,” he said. “If Yeşilçam is the descendant of commercial cinema, we represent the other cinema. We are the heirs of Yılmaz Güney,” he added.
In Memoriam | Young Turkish movie director Seyfi Teoman (1977-2012) passed away in Istanbul today. Seyfi Teoman, who had a motorcycle accident on his birthday on April 16 in Istanbul’s Bakırköy neighborhood, was being treated in the intensive care unit of Istanbul University’s Faculty of Medicine hospital. Teoman, 35, was diagnosed with a cerebral hemorrhage and his health condition stayed as serious.
Tatil Kitabi
Mustafa is a hard-working and ambitious agricultural merchant who is cold and austere towards his family.One day he has a brain hemorrhage on a business trip and goes into a coma after the operation. Güler, who has been suspecting that her husband is having an affair, is now convinced of it. Veysel, their teenage son,wants to leave the military academy and start a civilian life of his own. Ali, their 10 year old son, has to cope both with his bully classmates and the chewing gums he has to sell. Hasan, Mustafa's brother, chose to live a life in solitude after divorcing his wife and has always been an outsider to the family. But now he finds himself involved in his brother's family after his brother goes into a coma. Hasan has to solve the mystery about his brother's mistress and the money lost during his trip.
Director: Seyfi Teoman
Cast: Taner Birsel, Tayfun, Harun Özüağ, Ayten Tökün, Osman İnan, Rıza Akın, Onurcan Alavi, Zafer İnan, Mahir Özel, Ekrem Şenel, Ali Lütfi Uğur, Burcu Şanlı
Director: Seyfi Teoman
Cast: Taner Birsel, Tayfun, Harun Özüağ, Ayten Tökün, Osman İnan, Rıza Akın, Onurcan Alavi, Zafer İnan, Mahir Özel, Ekrem Şenel, Ali Lütfi Uğur, Burcu Şanlı
